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产品随想 | 周刊 第118期:Any sufficiently advanced technology is indistinguishable from magic.


  • 刘瑞琳 https://www.douban.com/note/211343004/
    原来广西师大的总编辑是她,理想国品牌的创建者,也是她

  • “实际上,你要抑制自己的野心,这样你才能成为你应该成为的人。” ——Bob Dylan
    Basically you have to suppress your own ambitions in order to be who you need to be.

  • “为五万个人演奏和为五十个人演奏是完全不同的,五万人更像是一个简单的角色,而五十个人却能呈现出不同的个性,他们能表达出更清晰的诉求,你必须付出最大的才能去征服他们。”

  • 博尔赫斯的第一本书出版一年后只卖出37本,但他对此表示庆幸。在接受《巴黎评论》记者采访时,他说:“你可以试着设想一下这37个人——真实的大活人;我意思是说他们每个人都有一张只属于他自己特有的面孔,他自己的家庭;他住在某条特定的小街上……但是,如果说你的书卖出了,假定两千本吧,这就跟你的书一本都没卖出去是一码事,因为两千这个数字太庞大了,你不可能对两千个读者都有着具体的想象或印象。”

  • At the same time, he sang of love with a power of conviction everyone wants to own. All of a sudden, much of the bookish poetry in our world felt anaemic, and the routine song lyrics his colleagues continued to write were like old-fashioned gunpowder following the invention of dynamite. Soon, people stopped comparing him to Woody Guthrie and Hank Williams and turned instead to Blake, Rimbaud, Whitman, Shakespeare.

  • Chamfort made the observation that when a master such as La Fontaine appears, the hierarchy of genres - the estimation of what is great and small, high and low in literature - is nullified. “What matter the rank of a work when its beauty is of the highest rank?" he wrote. That is the straight answer to the question of how Bob Dylan belongs in literature: as the beauty of his songs is of the highest rank.

  • By means of his oeuvre, Bob Dylan has changed our idea of what poetry can be and how it can work. He is a singer worthy of a place beside the Greeks' ἀοιδόι, beside Ovid, beside the Romantic visionaries, beside the kings and queens of the Blues, beside the forgotten masters of brilliant standards. If people in the literary world groan, one must remind them that the gods don't write, they dance and they sing. The good wishes of the Swedish Academy follow Mr. Dylan on his way to coming bandstands.

  • Yes, I am a thief of thoughts
    not, I pray, a stealer of souls
    I have built an rebuilt ——Bob Dylan

  • 至于说现在是什么时代,答案永远是曙光初开。 ——鲍勃·迪伦《编年史》

  • 尼采说,“如果没有音乐,生活将是一个错误。”

  • Dine https://www.dinehq.com/
    原来好奇心日报,端,看理想,这几个App,都是他们设计的

  • Webby Awards https://en.wikipedia.org/wiki/Webby_Awards?useskin=vector
    这个奖项里面的App,很多都比Apple和Google的年度最佳App要好

  • Enlightenment https://plato.stanford.edu/entries/enlightenment/

  • Enlightenment https://www.history.com/topics/european-history/enlightenment

  • 在发表于1784年的论文《回答这个问题:什么是启蒙?》中,康德对于启蒙的含义进行了经典的表述:“启蒙就是人走出他自己所招致的不成熟的状态(Aufklärung ist der Ausgang des Menschen aus seinerselbst verschuldeten Unmündigkeit)。不成熟的状态就是不经别人的指导就不能运用自己的理智(Verstand)的状态。如果这种不成熟的状态的原因,不在于缺乏理智,而在于缺乏无须他人指导而使用自己的理智的决心和勇气,则它就是自己所招致的。因此,Sapere aude!要有勇气使用你自己的理智!这就是启蒙的格言。”从中可知,启蒙的目标乃是理性的成熟,而达成这一目标的关键在于每个人要勇于独立思考。

  • 徐賁 (社會學家) https://zh.wikipedia.org/zh-hk/徐賁_(社會學家)?useskin=vector

  • 理想國 https://zh.wikipedia.org/zh-hk/理想国?useskin=vector
    有机会一定要读一读理想国

  • How Roblox Grows: From Virtual Playground to Global Empire https://www.howtheygrow.co/p/how-roblox-grows?publication_id=990503&post_id=130496681&isFreemail=true
    一篇文章看懂Roblox

  • In Scott Galloway’s iconic words: “Money follows attention, and one firm has more of our children’s attention than any firm on earth.”

  • "I don't pretend we have all the answers. But the questions are certainly worth thinking about."

  • 到最后阶段,小说和剧本开始同时写作,相互激荡。“有时候我会在看过电影毛片之后再重写小说的某些段落,就文学创作来说,这可是相当昂贵的方法,没几个作者享受得到”,克拉克说道。这也是为什么很多读者认为库布里克是小说《2001》未署名的作者。
    原来2001太空漫游,还有这样的桥段

  • Super-Toys Last All Summer Long https://www.wired.com/1997/01/ffsupertoys/
    原来库布里克在20世纪末,就已经关注到AI

  • Clarke's three laws:

  1. When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong.
  2. The only way of discovering the limits of the possible is to venture a little way past them into the impossible.
  3. Any sufficiently advanced technology is indistinguishable from magic.
  • GarageBand铃声制作教程,无需电脑,快速用iPhone制作铃声! https://www.nutgeek.com/iphone-garageband-ios11-ring/
    原来6年前,就已经有教程,羞愧

  • 京都獎 https://zh.wikipedia.org/zh-hk/京都獎?useskin=vector#尖端科技部門
    https://www.kyotoprize.org/
    其实看历届的京都奖获奖名单,基本都能感知到那些,引领了人类进步的大师
    三宅一生,安藤忠雄等,都在里面

  • Eugène Viollet-le-Duc https://en.wikipedia.org/wiki/Eugène_Viollet-le-Duc?useskin=vector
    原来这位影响到了高迪,也影响到了赖特,密斯凡德罗,沙利文,柯布西耶

  • The English architect William Burges admitted in his late life "We all cribbed on Viollet-le-Duc even though no one could read French".
    至少能承认自己抄袭,哈哈哈
    想起毕加索&乔布斯那句:Pablo Picasso on Creativity, “Good artists copy, great artists steal.”

  • The secret to creativity is knowing how to hide your sources.

  • Hemingway said, “It would take a day to list everyone I borrowed ideas from, and it was no new thing for me to learn from everyone I could, living or dead. I learn as much from painters about how to write as I do from writers.”

  • Wilson Mizner (screenwriter) said, “If you steal from one author, it’s plagiarism, and if you steal from many, it’s research.”

  • T. S. Eliot’s dictum: “Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poet welds his theft into a whole of feeling which is unique, utterly different than that from which it is torn.”

  • Gothic art is imperfect, only half resolved; it is a style created by the compasses, a formulaic industrial repetition. Its stability depends on constant propping up by the buttresses: it is a defective body held up on crutches. ... The proof that Gothic works are of deficient plasticity is that they produce their greatest emotional effect when they are mutilated, covered in ivy and lit by the moon. ——高迪

  • Paraboloids, hyperboloids and helicoids, constantly varying the incidence of the light, are rich in matrices themselves, which make ornamentation and even modelling unnecessary. ——高迪

  • Antoni Gaudí https://en.wikipedia.org/wiki/Antoni_Gaudí?useskin=vector
    读书时候没搞懂的高迪,在工作几年后,慢慢开始懂他
    真是一位大师

  • As Viollet-le-Duc said himself: “to see is to know, to know is to create.”
    突然才发现,在自己青年时代,没有向更多活着活着死去的大师学习
    而当时自己其实是感觉到周围老师、教授水平不怎么样的

  • Arnault has said that brands like Louis Vuitton and Dior are successful because "they have these two aspects, which may be contradictory: They are timeless, [and] they are at the utmost level of modernity.”
    说直白一些,就是这些品牌在不停地进步,不停革新自己,所以他们既永恒又能始终不落伍

  • Architecte https://fr.wikipedia.org/wiki/Architecte?useskin=vector
    法语维基百科的建筑师词条
    写的远好于英语、好于中文
    原来当你希望了解更多的时候,你会发现英语不再够用,需要向前追溯到法语、追溯到拉丁语,才能帮你解开困惑

  • "He's so wonderfully prickly and famous for bursting into any house he built un-announced -- just come in with a troop of people and show them the house, rearrange the furniture. He would even sneak into the houses to rearrange the furniture when the owners were away," T.C. Boyle wrote of FLW, but it also describes how early Mac developers felt after demoing their products for Steve.

  • "I love it when you can bring really great design and simple capability to something that doesn't cost much. It was the original vision for Apple."
    希望苹果,牢记自己当时的初衷

  • “I have always found Buddhism—Japanese Zen Buddhism in particular—to be aesthetically sublime,” he told me. “The most sublime thing I’ve ever seen are the gardens around Kyoto.”

  • When Jobs gathered his top management for a pep talk soon after his return, sitting in the audience was a sensitive and passionate 30-year-old Brit who was head of the company’s design team. Jonathan Ive—known to all as Jony—was planning to quit. He was sick of the company’s focus on profit maximization rather than product design. Jobs’ talk led him to reconsider. “I remember very clearly Steve announcing that our goal is not just to make money but to make great products,” Ive recalled. “The decisions you make based on that philosophy are fundamentally different from the ones we had been making at Apple.” Ive and Jobs would soon forge a bond that would lead to the greatest industrial design collaboration of their era.
    我觉得,这才是乔纳森离开苹果的真正原因

  • “Why do we assume that simple is good? Because with physical products, we have to feel we can dominate them. As you bring order to complexity, you find a way to make the product defer to you. Simplicity isn’t just a visual style. It’s not just minimalism or the absence of clutter. It involves digging through the depth of the complexity. To be truly simple, you have to go really deep. For example, to have no screws on something, you can end up having a product that is so convoluted and so complex. The better way is to go deeper with the simplicity, to understand everything about it and how it’s manufactured. You have to deeply understand the essence of a product in order to be able to get rid of the parts that are not essential.” ——Jony Ive

  • After he was forced out, the process at Apple shifted to being engineer-driven. “Engineers would say ‘here are the guts’—processor, hard drive—and then it would go to the designers to put it in a box,” said Apple marketing chief Phil Schiller. “When you do it that way, you come up with awful products.” But when Jobs returned and forged his bond with Ive, the balance was again tilted toward the designers. “Steve kept impressing on us that the design was integral to what would make us great,” said Schiller. “Design once again dictated the engineering, not just vice versa.”

  • The plastic casing that Ive and Coster proposed was sea-green blue, and it was translucent so that you could see through to the inside of the machine. “We were trying to convey a sense of the computer being changeable based on your needs, to be like a chameleon,” said Ive. “That’s why we liked the translucency. You could have color, but it felt so unstatic. And it came across as cheeky.”

  • “Back then, people weren’t comfortable with technology. If you’re scared of something, then you won’t touch it. I could see my mum being scared to touch it. So I thought, if there’s this handle on it, it makes a relationship possible. It’s approachable. It’s intuitive. It gives you permission to touch. It gives a sense of its deference to you. Unfortunately, manufacturing a recessed handle costs a lot of money. At the old Apple, I would have lost the argument. What was really great about Steve is that he saw it and said, ‘That’s cool!’ I didn’t explain all the thinking, but he intuitively got it. He just knew that it was part of the iMac’s friendliness and playfulness.”

  • Jobs went home early that day to mull the problem, then called Ive to come over. They wandered into the garden, which Jobs’ wife, Laurene, had planted with a profusion of sunflowers. “Every year I do something wild with the garden, and that time it involved masses of sunflowers, with a sunflower house for the kids,” she recalled. “Jony and Steve were riffing on their design problem, then Jony asked, ‘What if the screen was separated from the base like a sunflower?’ He got excited and started sketching.” Ive liked his designs to suggest a narrative, and he realized that a sunflower shape would convey that the flat screen was so fluid and responsive that it could reach for the sun.
    原来当时是这样的设计理念

  • “There would be times when we’d wrack our brains on a user interface problem, and think we’d considered every option, and he would go, ‘Did you think of this?’” said Tony Fadell, the team leader. “He’d redefine the problem or approach, and our little problem would go away.”

  • How Steve Jobs’ Love of Simplicity Fueled A Design Revolution https://www.smithsonianmag.com/arts-culture/how-steve-jobs-love-of-simplicity-fueled-a-design-revolution-23868877/

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申请日本研究生---转载

原文地址: 申请日本研究生 首先有必须向大家解释一下日语中这个“研究生”的概念以及日本的大学院的基本设置。  日语中“研究生”用英文来说是research student,在日本的大学是非正规生,也就是说没有学位也不可以修得学分,一般情况下只能在研究生阶段结束以后得到一份“研究生修了证明书”,这个回国是没有用处的。  最初研究生的设立,并不是为了大学院备考者。但是现在外国留学生都利用这个课程来作为进入大学院正规课程的一个途径。说直接一点,就是为了拿到签证,来日本考大学院的一个途径。  研究生又分为两种,一为学部研究生,申请的资格为大学本科毕业及其预定毕业者,或者是满16年学习经历的都有资格申请。第二种为大学院研究生一般是硕士毕业以及其预定毕业者有资格申请。  简单的说,可以把中日的高中到博士的就学阶段和名称对比如下:  日本:高校 学部 学部研究生 修士 大学院研究生 博士  中国:高中 本科 硕士预科 硕士 博士预科 博士  |--------- | ----------|  |  统称大学院  研究生的申请基本上为书类选考,也就是只要提交必要的材料和得到指教教官的许可就可以申请。也有个别好的大学需要书面考试,但为数不多。  研究生的申请可以是国内出愿(人在日本),也可以是海外出愿(人在中国)。  日本大学院的基本设置。  一般是##大学大学院###研究科的机构下,分博士前期(相当于国内的硕士)和博士后期(博士),有些大学的有些专业没有博士后期,一般就叫做修士课程。  研究生下又有具体专攻的划分。  申请研究生第一步  是和你想去大学的导师联系,希望他能够当你的指导教官(当然事先搜集有关大学,导师的资料是必备的,要确定这个大学一定招研究生.相关信息。  可以利用小春留学论坛学校版提供的以下信息搜索引擎  也可以利用日文门户网站yahoo等来搜索。)  联系导师的合理时间,一般在你希望入学时间(一般一年有两次,4月和10月,)的6-12个月前.具体时间各个学校,各个专业不同不同。  至少6个月前是一定要联系拉,否则会来不及.  国内本科大4在校生,建议在进入大4后就着手准备联系导师事项.  联系导师的方法,材料及注意事项  1。可以通过电子邮件,书信,传真,电话各种工具。最方便,最便宜的方式推荐用电子邮件。有些导师是不公开电子邮件的,那就只能利用其他工具拉。 

乔布斯自己的话

我對建立一家屹立不搖的公司有著不滅的熱情。我希望激發公司裡的人做出偉大的產品,其他都是其次的。能獲利當然很好,因為這樣你才有更多的本錢去做很棒的產品。然而,最重要的动机還是產品,而不是獲利。史考利就是把優先順序搞錯了, 把赚钱當成首要目標。雖然製造產品和追求獲利只有些微的不同,但這目標的確關係到一切,包括你要雇用什麼樣的人,晉升哪些人,在開會的時候要討論什麼。 有些人會說:「給消費者想要的東西。」但這不是我的做法。我們必須在消費者知道自已想要什麼東西之前,就幫他們想好了。記得福特曾說:「如果我問顧客他們要什麼,他們必然會回答我:跑得更快的馬!」除非你拿出東西給顾客看,不然他們不知道自己要什麼。這就是為什麼我從不仰賴市場調查。我們的任務是預知,就像看一本書,儘管書頁上還是一片空白,我們已可讀出上面寫的東西。 寶麗來的蘭德曾提到人文與科學的交會。我喜歡這樣的交會,這就是最神奇的地方。目前創新的人很多,我的職涯最突出的並非創新。蘋果能打動很多人的心,是因為我們的創新還有很深的人文淵源。我認為,偉大的工程師和偉大的藝術家很類似。他們都有表達自己的深切欲望。其實,為第一代麥金塔打拚的精英當中,有些也會寫詩或作曲。在1970 年代,人們用電腦表達他們的創造力。像達文西和米開朗基羅這樣偉大的藝術家,本身也是科學家。米開朗基羅不只是會雕刻,也知道如何開採石材。 蘋果能做的,就是幫消費者整合。因為一般人都很忙,一星期七天,一天二十四小時,完全抽不出時間想這些。如果你對製造偉大的產品充滿热情,你就會想整合,把你的硬體、軟體和內容變成一個整體。如果你想開關新的疆土,你得自己來。如果你要使你的產品開放,和其他軟、硬體相容,就不得不放棄你的一些遠見或夢想。 過去的矽谷,在不同的時間點都曾出現過獨領風騷的大公司。最早是惠普,他們曾稱霸一段很長的時問,接著進入半導體時代,快捷和英特爾是其中的佼佼者。之後蘋果也曾光芒耀眼,然後又黯淡下來。到了今天,我想最强的就是蘋果,而 Google 緊跟在後。我認為蘋果禁得起時間考騐。蘋果這幾年的表現非常亮眼,日後仍會是電腦科技的先鋒。 向微軟丢石頭很簡單。微軟顯然不再像過去那樣意興風發,不再舉足輕重,但我還是認為他們過去的成就很了不起,那真是不容易。他們是經營獲利的高手,對產品發展則沒那麼有野心。蓋兹自認為是產品的推手,懂產品的人。其實,他不是,他是個生意人。

Good for the Soul, Steven Levy, 2006, Newsweek

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产品随想 | 周刊 第122期:务必要疯狂地怀抱雄心,且还要疯狂地真诚

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一. shell脚本 基本语法  #!/bin/bash    声明解释该脚本的程序,使用后可使用bash内建的指令 #!被称为魔数    魔数后应指定运行该脚本所需程序的完整路径 特点 shell脚本解释器

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Windows下DNS命令 查看本机DNS缓存:ipconfig /displaydns 清除本机DNS缓存:ipconfig /flushdns 查看本机DNS地址:nslookup 查看本机网络设置:ipconfig /all