"If work is to become play, then tools must become toys."
30-plus years of HyperCard, the missing link to the Web https://arstechnica.com/gadgets/2019/05/25-years-of-hypercard-the-missing-link-to-the-web/
其中最宝贵的是这句教训："I grew up in a box-centric culture at Apple. If I'd grown up in a network-centric culture, like Sun, HyperCard might have been the first Web browser. My blind spot at Apple prevented me from making HyperCard the first Web browser."MOVIE-WEB https://github.com/movie-web/movie-web
A small web app for watching movies and shows easily
随机搜索了下，命中率非常高，很好用诶LunarBar 的开发 https://github.com/LunarBar-app/LunarBar/blob/main/DEV.md
用心的文档，能够看到NeXT HQ https://allaboutstevejobs.com/pics/pics_places/next/next_hq
可惜没有看到传说中的悬浮楼梯Peter Q. Bohlin https://en.wikipedia.org/wiki/Peter_Bohlin?useskin=vector
这位居然参与了这么多Apple Store的设计！！！The San Remo's board voted in 2000 to impose a six-month time limit for apartment renovations, imposing heavy fines on residents who violated the rule. Many residents had complained that director Steven Spielberg and entrepreneur Steve Jobs were conducting multi-year renovations of their respective apartments.
有趣，装修扰民，哈哈哈
6个月的装修时间，对于挑剔的设计师来说，真的不大够In the biography Steve Jobs, Isaacson recalls Jobs explaining, "So I asked Issey [Miyake] to make me some of his black turtlenecks that I liked, and he made me like a hundred of them. [...] That's what I wear. I have enough to last for the rest of my life." John Lasseter remembered a slightly different story: "He found this one really great black turtleneck which he loved –I think it was Issey Miyake– so tried to buy another one and they didn't have any more. He called the company and asked if they would make another one, and they refused. So he said: 'Fine, how many do you have to make before I can buy them?' So they made them. I think he has a closet full of them.'"
I believe there is Hope in Design.
Design evokes Surprise and Joy in people. ————Issey MiyakeSteve Jobs once shared with Venus’s interior designer, Philippe Starck, “Every year, we go on vacation on my friend Larry Ellison’s boat ($130 million superyacht Musashi). And every year, I say to myself, I too should have a boat built. But I don’t do it. Two years ago, I decided I was going to go for it. I looked at everything, asked everyone, and came to the conclusion that only one person can do it: you.”
Musashi (yacht) https://en.wikipedia.org/wiki/Musashi_(yacht)?useskin=vector
https://www.boatinternational.com/yachts/editorial-features/inside-88m-feadship-yacht-musashi
Larry的游艇Venus (yacht) https://en.wikipedia.org/wiki/Venus_(yacht)?useskin=vector
乔布斯的游艇，真是非常好看！！！Diana Walker https://en.wikipedia.org/wiki/Diana_Walker?useskin=vector
原来为乔布斯拍照的摄影师，也如此了不起
曾是白宫多年的摄影师Also drawing Jobs’s ire was the Infinite Loop campus, which he hated and always apologized for, Riley said.
“It looked like any corporate campus anywhere in America,” she recalled him saying. “And it was built by John Sculley.”Inside Steve Jobs’ unearthly abandoned mansion he spent years trying to demolish https://nypost.com/2021/04/08/inside-steve-jobs-unearthly-abandoned-mansion-he-demolished/
宝贵的照片，乔布斯单身时居住最久的房子小说家莫娜·辛普森的悼词写得细腻动情，文采飞扬。她回忆说：“他是一个情感强烈的人。即使在生病期间，他依然保持着自己的品位、鉴别力和判断力。他前后换了67个护士，才找到和自己志趣相投的人。”她谈到了哥哥对工作的热爱：“即便是在生命的最后一年，他依然启动了一些项目，还要求在苹果的朋友承诺将它们完成。”她还从个人角度，强调了他对劳伦娜和4个孩子的爱。虽然他已经实现了亲眼见证里德高中毕业的愿望，但他无法参加女儿们的婚礼了。莫娜说：“他想陪她们走过红地毯，就像他在我结婚那天陪我走过一样。”这些生命的篇章再也无法续写。“最后的最后，我们的生命都会在中途戛然而止，在一个故事的中途，在许多故事的中途。”
达·芬奇是乔布斯心目中的英雄和学习榜样。在乔布斯生命的最后阶段，他催促我为这位文艺复兴时期的伟大工程师和艺术家写传记，我最终照做了。现在我明白了为什么他觉得与达·芬奇心有灵犀。他们的创造天赋来自同一种体验：站在艺术和科学的交会点。事实上，他们都有更加深刻的领悟：不要把艺术和科学区分开。
史蒂夫·乔布斯传 https://www.pilisf.com/8/8402/
居然有如此精致的电子版
重点看后记摇滚文化与创业精神——从乔布斯和布兰德说开去 https://conanxin.medium.com/摇滚文化与创业精神-从乔布斯和布兰德说开去-59f17fb6ce15
反主流文化精神Robert Palladino https://en.wikipedia.org/wiki/Robert_Palladino?useskin=vector
一代书法大师，当年乔布斯在里德学院的书法老师Master of Letterforms, Keeper of the Faith Prof. Robert Joseph Palladino https://www.reed.edu/reed-magazine/in-memoriam/obituaries/june2016/prof.-robert-joseph-palladino 1969-84.html
看到这些记录，你会发现原来那些大师，并不是那么遥远的人物
原文 地址 江湖中历来不缺乏传奇。在建筑软件的这片江湖中，风云变幻，豪杰辈出，有两大世家始终屹立不倒——一个来自欧罗巴，名字低调：“图形软件”（Graphisoft），却继承了一身的艺术家气质，手握长剑白衣胜雪；一个来自美利坚，人称“自动桌子”（Autodesk），性格豪放不羁，七种武器样样精通。本文所说的，就是这两大世家的代表人物：ArchiCAD与Revit之间的较量。 这个论题本是老生常谈了，谈到BIM绕不过的就是Revit与ArchiCAD。两者的对比许多帖子都讨论过，但往往大而化之，原则性的东西多，细节的东西少，因此我想再作一次比较，希望能深入一点，具体一点，力争较为全面地反映两者的真实面貌。但这种对比往往两面都不讨好，你懂的，因此本文也多用戏说的语气，我姑妄说之，列位看官也就姑妄听之吧，有不当之处还请多多包涵！ 先介绍一下本人对这两个软件的熟悉程度。我用ArchiCAD有4年了，出过几套施工图，都已竣工，编过一系列向日葵图库，颇受好评，对ArchiCAD的认识偏重于施工图；用Revit一年半，出过四个工程的土建及MEP模型，也用其API编了若干插件，对Revit的认识偏重于建模（包括结构及MEP建模）。应该说对ArchiCAD与Revit的认识都算深入了。 当然两者的深度比较是一个庞大的工程，而且个人看法难免有偏见，技术上也多有误解之处，因此希望各位能指正与补充。 1 软件的思想、架构对比 从软件的历史来说，无疑是ArchiCAD悠久得多，Revit是Autodesk在2002年才收购回来的，但Revit有一个强有力的东家，马上推出“BIM”这个很炫的口号，一下把ArchiCAD沿用多年的“虚拟建筑”这个老老实实的口号给打败了，于是ArchiCAD也只好宣称自己是个BIM软件，搞得在外人看来，倒像是Revit占了先机。 从软件设计的角度来看，两者也是差别巨大的。ArchiCAD从20多年前就致力于三维建筑设计，在这方面积累了足够多的经验，多年来也是沿用其架构做一些小更新、小完善、小整合。从我接触的7.0到最新的14.0，感觉比较大的变动就是10.0版整合PlotMaker、12版支持多核计算提升速度、12版新增幕墙工具、13版团队工作大幅改进。在界面上、使用习惯上一直差别不大，这也在一个侧面反映了ArchiCAD软件设计的一个“精英思路”——我本来就...